For times when you need a delay effect pedal that is extremely accurate, longer delay times, and will be very consistent, a digital delay is the right choice. We put together five of our favorites right here:
1. Boss DD-7
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The Boss DD-7 is easily the highest selling digital delay pedal ever. When I worked at a guitar store, it seemed that someone bought one every day. I have played and enjoyed tons of them. The latest version of the pedal I hadn’t experienced yet, though. Here’s what I found when I ran it.
1. Improvements abound – Usually, the new incarnation of a piece of gear just has a few changes. The Boss DD-7 Digital Delay Pedal has a lot. There are more delay modes, the ability to loop via extended delay time, and a stereo output.
2. Extended delay – The delay time on the new Boss DD-7 Digital Delay Pedal is 6.4 seconds. That is almost double what the former models offered players.
3. 40-second hold – The 40 second hold time gave me the ability to loop short phrases and create a big sound. Capacity to do this is something that you usually only find in much larger pedals.
4. External Control – This is the first DD-7 that has the option of external control. The parameters on the pedal can be hard to control with your foot on the fly when playing live. Now, you can plug a footswitch or an expression pedal into it. The expression pedal can control delay time or feedback. Players can use an external footswitch for the tap tempo function.
Each DD-7 packs a lot of punch for their size and price. There is a 1/4″ stereo out and a 1/4″ in. The pedal can is powered via 9V power adapter or battery.
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Joyo is a guitar effects company dedicated to providing their customers with high-quality digital effects at a budget friendly price. The JOYO D-SEED Dual Channel Digital Delay Guitar Effect Pedal does just that. I had a blast going through this pedal and hearing the wide array of tonal options its offers to guitarists. Here are some of the best features.
Analog modeling – This has to be one of the most affordable pedals on the market to offer quality analog modeling. It is one of the four modes of delay that are offered on the pedal. The other three modes are copy, modulation, and reverse. I found that some trippy tones could be achieved using the reverse mode.
Time and Feedback – The time mode is how long the delay time is for each ping. Time can be determined using the time knob or by using the tap tempo feature. You can set a short slapback to beef up your tone get longer delays to broaden it. The feedback is how long the delay will repeat until it decays.
Mix – This is the first knob on the pedal. It will decide the mix between dry and wet signal. I found that the lower end was extremely subtle compared to other digital delays I have played. The subtleness is very effective for lead guitar players who want just a touch of delay to make their guitar sing during solos.
The A/B switch is a unique feature on the pedal. It allows you to switch between two different sounds on the unit. The pedal is powered via 9V battery. The JOYO D-SEED Dual Channel Digital Delay Guitar Effect Pedal has 1/4″ ins and outs.
3. Mooer Reecho
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The face of pedals is greatly changing today with more and more companies surfacing with products that value saving space and its impact on a guitarist’s performance. These new pedals, which I like to call micro pedals have become an invaluable asset for guitarists who are after saving space on their pedal boards. One of the micro pedals that I recently got a chance to use is the Mooer Reecho. Here is this pedal’s review.
The Reecho is a delay pedal that is simple and quite easy to use. This pedal features three Delay Modes. These modes include Tape Echo, Real Echo, and Analog. You can switch all these modes via a centrally located toggle switch found on the top section of the pedal. The Tape Echo mode can be used to simulate the sweet and spacey echo sound similar to that of a vintage tape echo machine, the Real Echo mode simulates a natural echo sound in a real environment, and Analog produces a smooth and warm echo sound produced by a classic analog delay equipment. The delay settings toggle switch has a feedback control and effects level control on either side.
The quality of delay on offer with this pedal impressed me a lot. The signal is very clean and has little or no noise. The delay also sounds very warm, and therefore, very usable. The Tape Echo mode also sounds very authentic unlike in many other pedals, which sound clinical and engineered. I was very impressed by the quality of sound of the Reecho.
The Reecho is a true bypass pedal, it is housed in a full metal shell, and is powered by a 9V DC power supply.
I loved Mooer Reecho’s quality of sound, durability, and ease of use. Therefore, this is a pedal I would recommend to all guitarists.
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In my career as a guitarist, I have had the opportunity of trying out a variety of sound production equipment. Some of the equipment really impressed me and some did not. I had the opportunity to try out the Boss DD-20 Giga Delay Digital Delay Pedal and here is its review.
The DD-20 Giga is not just any simple day-to-day stompbox delay pedal, it is a versatile and very complex piece of equipment. For this reason, the Giga Delay is not that simple to use. This delay pedal features five control knobs that include E. Level, F. Back, Tone, Mode, and Delay Time. The Delay Time knob adjusts the length of delay, Mode controls a selection of 11 different settings, Tone adjusts the balance between treble and bass, F. Back controls the number of repeats, and E. Level controls the amount of wet or dry signal. Other features of this delay pedal include an expression pedal jack, a headphone jack, the choice for mono or stereo output, and dual inputs. The right footswitch can be used to either set the tempo or to change the presets. The left footswitch, on the other hand, can be used to switch on or off the pedal.
Even when preceded by an entire pedalboard of effects, the DD-20 Giga still produces a sound that is clear and whose delay is not interrupted. This pedal is also very quiet and does not produce any hiss or buzzing sounds when placed alone between an amplifier and a guitar with humbuckers. The DD-20 also has the ability to loop several clean tracks on top of each other, therefore, eliminating the need of a looper.
The Boss DD-20 Giga Delay Digital Delay Pedal is packed with a ton of useful and thoughtful features that will benefit any guitarist. Therefore, I would highly recommend it.
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There has been a long-standing argument over digital delay versus analog delay. Purists love the sound of analog. Progressives prefer the multitude of options digital delays bring to the table. The Joyo JF-08 Digital Delay Effect Pedal attempts to give players the best of both worlds. I gave it a run in my studio recently to determine if that was the case.
The circuitry in this digital delay is interesting. Joyo attempts to recreate the analog sound digitally with a special filter that’s not in other pedals. Besides that, it gives you the pinpoint accuracy that only digital delays provide.
I have to admit, I was a little bit reticent to give this pedal a shot because of its low price. Like many other industries, you usually get what you pay for. I was pleasantly surprised when I played it. The Joyo JF-08 Delay Effect Pedal brings a lot of value considering its low price. It is usually found for less that $50. The quality level includes the casing which is a heavy duty aluminum alloy material.
The most impressive quality of the Joyo JF-08 Digital Delay Effect Pedal is the repeat function. The repeat function is another name for feedback. The time function has a very long delay time compared to other digital delays near this price point. Finally, the level knob determines the volume of the wet signal as compared to the dry signal. My final verdict is that this pedal is a great device if you want to get as close as you can to analog delay sound on a budget.