Sometimes you want your bass tone a little dirty. Using one of these great overdrive pedals that we recommend will beef up your rig’s tone.
We took some time to check out a bunch of the best bass overdrive pedals and came up with the following list that we feel is the top choices. Take a look!
[easyazon_image align=”left” height=”160″ identifier=”B0002CZVAU” locale=”US” src=”https://www.jtpedals.com/wp-content/uploads/2016/10/41kwnVkpjpL.SL160.jpg” tag=”jtspedals-20″ width=”160″]The Boss ODB-3 Bass Overdrive is the product that will give you that fuzzy and bass sound that you hear on the radio. You hear this sound in metal, techno, and industrial music. It is a bass distortion sound. This product is something that everyone will want because of that and its durability and size.
Boss ODB-3 Bass Overdrive gives you the distortion you need while playing songs that you love. Boss is a great product and has all of the controls so you can dial in a tone that is smooth. It is build to last but if you don’t like it you can resale it probably very quickly.
Another good thing about this product is that you can dial a smooth tone in only a few minutes. The tone shouldn’t sound muddy and should not ruin the low end of the bass. You should be able to get sounds like a fuzz and light overdrive. It makes it a good product for bass solos and other cover songs.
One thing that you may find interesting though is that the pedal makes some noise into your signal such as a hissing sound when turned on. When it is off it is okay. When you are playing though you shouldn’t be able to hear it so you may not want to have it on when you aren’t playing it.
So as you can see this product is nice for those who want a bass sound that you may hear on the radio.
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The MXR M89 Bass overdrive is a solid bass overdrive pedal. It has the standard controls for volume, tone, drive, and a clean setting. With not too many knobs, it’s easy to use and is quite responsive as well.
I am satisfied with this purchase, especially since I can get a range of sound from it. You might need a bit of tweaking to the drive and clean settings, but once you get a feel of it, it produces a nice warm grind or a crunchy sound. Initially it seemed this bass overdrive pedal couldn’t really do heavy distortion, but coupling with the MXR Fuzz Deluxe did the trick! I got crazy distortions that are more than suitable for metal players like myself. Paired with my Musicman and, voila, it makes for some powerful rocking sound!
Knowing MXR, the MXR M89 Bass Overdrive is something I’d expect from them. I did find that the clean setting was not as clean as I’d expect it to be, though this isn’t much of an issue since the clean signal blend control does a more or less satisfying job. Plus, the clean knob allows you control to get the right amount of clean tone, which is brilliant. The pedal also has a rich overdrive and without losing the low end as well; definitely a plus. Quality-wise, this pedal is really good and will stick around for a good amount of time. I highly recommend this as one of the best overdrives I’ve tried.
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When it comes to Electro-Harmonix overdrive pedals the Big Muff is usually the first pedal that comes to most people’s minds. There is another great pedal in the EH family that gives masters of the low-end more options when it comes to tone, the Electro-Harmonix Bass Blogger Distortion/Overdrive Pedal. My favorite thing about this pedal is that provides me with both fuzz and overdrive tones. Consistent with the quality of EH, they are both top quality sound.
Like all other pedals in their line, the Electro-Harmonix Bass Blogger Distortion/Overdrive Pedal is made from all analog parts. As I stated earlier, the pedal is basically two pedals in one. Because it is analog, it doles out great fuzz and overdrive without it becoming to overloaded with high-end frequencies. It also does so without becoming too brittle.
One of my favorite features of this pedal is that it has a dry out and an out for effects. Both of these jacks are 1/4″ jacks. This allows me to run the pedal directly to my amp with a dry signal while maintaining its “true bypass” integrity. It easy to toggle between dry and wet with the footswitch on the pedal.
There are three knobs on the pedal that help shape and define the tone, overdrive, and tone of the sound. Below those three knobs is a switch I used to toggle between fuzz and overdrive sounds. Each EH pedal comes standard with a 9V adapter so it is ready to play in the studio or on stage right out of the box.
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The EBS Multi Drive Universal Bass Overdrive Pedal has been a mainstay in bass player’s pedal boards since it was first introduced in the early 2000s. The first thing I noticed when I played through it was its simple design. The pedal has just two knobs and a switch. It’s all meat and potatoes with the EBS Multi Drive Universal Bass Overdrive Pedal.
The current version of the EBS Overdrive Pedal packs the same overdrive punch as its predecessors. It has evolved into something a little more sophisticated. There aren’t major changes, it’s just that everything about the pedal has been improved. This includes a 3 DB boost in overhead. EBS replaced the circuitry with analog wires and components.
The most interesting aspect of this pedal is the tube modeling switch. The pedal has tube modeling technology with two different option. If the toggle switch is in the up position you are using a standard tube gain sound. The bottom position. There is also a knob for the amount of drive that is desired and volume.
The pedal will not add any noisy signal to your chain due to the fact that it is true bypass. There are both 1/4″ ins and outs on the pedal. My favorite feature of the pedal is its size. Despite the power that it is has when it comes to overdrive, it is still small enough to fit into just about any pedalboard. The Multi-Drive requires a 9V adapter to power it.
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Digitech has long been known for creating some of the most affordable effects pedals on the market. The Digitech XBD Bass Driver Bass Overdrive/Distortion Pedal is a great asset to any bass player that wants to rock. The sound of overdrive is a central ingredient of just about any great rock show or recording in history. If you want to access this sound at a great price the Digitech XBD Bass Driver Bass Overdrive/Distortion Pedal is the choice for you. I know I had a lot of fun testing it out.
Although a digital pedal, I noticed just how close it gets to having a warm, creamy analog sound. It can be hard to get a good bass overdrive sound without completely washing out the clean sound of the bass through the cabinet. This pedal does a great job of avoiding that issue with the many tonal options it has.
The level knob on the pedal creates the amount of overdrive desired by the player. I found this knob to be very responsive during my test. Blend combines the clean and effected sounds to the player’s liking. The tone knob determines the nature of the overdrive that is being used. The most interesting parameter on the pedal is the Morph knob. This determines the phase of the signal. The phase can be set to 4,8, or 12 stages. It is important to note that the XBD doesn’t come with a power adapter included. You will need to purchase a 9V adapter.
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If you are a rock bass player, like me, it is imperative that you have a quality overdrive pedal in your signal chain. Some of the most iconic bass sounds in rock history were shaped by overdrive. This is especially true with the rock of the 60s and 70s. The Darkglass Vintage Microtubes Bass Overdrive is an ideal away to achieve the “old school” rock bass sound that I was looking for. When I ran it into my amp I was surprised at just how much it sounded like the iconic rock bass players that I have grown to love over the years.
One of the premier aspects of the Darkglass Vintage Microtubes Bass Overdrive are the microtubes inside of it. The tubes are a smaller version of the tubes that are found in many guitar amps. They are smaller than typical tubes so that they fit inside of the pedal. The tubes provide the same warming effect, though.
There are 4 different knobs on the pedal; Level, Drive, Blend, and Era. Level determines the volume of the overdrive versus the clean signal. The drive knob obviously decides how much drive will be in the sound. I used the blend knob to create a nice mix of effects with the clean signal. The era knob is the most interesting knob on the pedal. It shapes the character of the drive in the signal. This knob is very expressive. I found that I could get just about any tone that I wanted by adjusting it.